Abstract:

In 2016 with the Peace Agreement between Colombian government and ex guerrilla FARC-EP, there was a reconfiguration of the narratives about the conflict and the armed actors. The proposal to reinsert ex-combatants into the logic of civil society implied a process of humanization and, therefore, the transformation of the figure of the state enemy. In this article, we seek to know this process through museums, understanding them as the spaces in which the official discourse of the state is appropriated and reproduced. To achieve the above, based on the notions of Field, Capital and Symbolic Goods by Pierre Bourdieu, we will go through the historicization and characterization of the Museal Field in Colombia, then the transit that occurred in the perception of the armed actors from the state and, finally, we will observe the production of symbolic goods in museums as of the signing of the Final Agreement.

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