Özet:

The 1978 film of Sultan, which is discussed in this study, with its story that tells the daily life of the neighborhood's pulse with all the reality, offers a sociologically diverse perspective on the urban modernity crisis and the resistance of the neighborhood. In addition to taking advantage of the discipline of sociology in the film analysis, it was applied to philosophy to ontological thinking about the lives created in the film. This is due to the social thought in the origins of the philosophical systems of the philosophers and the fact that these thought develops accumulatively to create a background for sociology. Therefore, the sociological path of the neighborhood’s fragrance is questioned by various philosophical views. The area and community relationships that make up the fragrance of the neighborhood are wrapped into a ontological structure by wrapping into the daily life. Thus, human relations, which form the given areas of everyday life, love, love and sadness form the philosophical basis of the Gecondu neighborhood in the ontological sense. The place is an important element in the theme of Yavuz Turgul films that cannot remain sensitive to the problems of society. In the perception of the place produced by capitalism, the main objective of the work is to analyze the significance of existence in the chain connected with the neighborhood of the individual in the day-to-day life stream of the fight for the rescue from the urban rant of the Gecondu neighborhood through the problem of happiness, love, joy and survival. Henry Lefebvre’s theoretical framework on space production will be addressed by an ontological approach. As a city manifestation of collective consumption, daily life, Arabic, advertising and neighborhood culture are topics focused on the study. In addition, the common interests related to the locations of the neighborhood will be tried to be assessed by the characters represented by the neighborhood.

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