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Şiir dili, içinde barındırdığı özgün iletişim kanalları nedeniyle yazın dünyasında özel olarak ele alınması ve irdelenmesi gereken bir yapı arz etmektedir. Az sözle çok metne göndermeler yapabilen bu tür içerisinde imge ve ahenk unsurları belki de şiiri gündelik dilden ya da düzyazı dilinden farklılaştıran ve yeni bir dil oluşturan başat unsurlardır. Şiir, şairin kaleminden çıktığı haliyle kalmaz, her okunuşta, her okurda çoğalan, yayılan, anlamlanan bir oluşumdur. Çok bilinmeyenli imgeler sistemindeki şiirlerin çözümlemeleri yapılırken sistematik bir yaklaşım sergilemek kaçınılmazdır. Şiirin anlam katmanlarının doğru bir şekilde değerlendirilebilmesi için geliştirilmiş kuramsal yaklaşımlar mevcuttur. Dan Sperber ve Deirdre Wilson tarafından ortaya konulan Bağıntı Kuramı, Michael Riffaterre’in Semiyotik Şiir Eleştirisi Kuramı, Rus Biçimcilerinin Vezin Teorisi bu çalışmada sözü edilecek kuramsal yaklaşımlardır. Türk şiir dili üzerine yapılan akademik çalışmalarda bu konunun derin bir şekilde ele alınması ve kendi edebiyatımıza has kuramsal yaklaşımların çoğaltılması elzemdir. Sözü edilen konuya ilişkin dünya yazınında itibar görmüş bazı tekniklerin tanıtılmasını da kapsayan bu araştırmada şiirde imge ve ahenk gibi derin konuların kapısı aralanmaya çalışılmıştır. Şiiri şiir yapan başat prensip olan imgelerin şiir zeminine ayaklarının doğru bir biçimde yerleştirilmesi ve -Poe’nun “Kuzgun”u oluştururken yaptığı gibi- ikinci aşamada da ritmin güçlü bir şekilde şiir diline uygulanabilmesi sonucunda güçlü bir şiirsel söylem ortaya konulabildiği görülmüştür.
Poetry language provides a structure that needs to be addressed specifically in the summer world because of the original communication channels it hosts. In this kind of image and consensus elements, which can make a lot of text messages with a few words, may be the main elements that differentiate the poem from the daily language or the straight language and create a new language. Poetry is not the way the poet comes out of the pen, it is a form that is multiplied, spread, understood in every reading, in every reader. It is unavoidable to show a systematic approach when the analysis of poems in the very unknown image system is done. There are theoretical approaches developed to correctly evaluate the meaning layers of poetry. The Conclusion Theory, presented by Dan Sperber and Deirdre Wilson, Michael Riffaterre's Theory of Semiotic Poetry Criticism, and the Theory of Vezin of Russian Formators are the theoretical approaches to be mentioned in this study. In the academic studies on the Turkish poetry language, it is essential that this subject is deeply addressed and the theoretical approaches specific to our own literature are multiplied. In this study, which also includes the introduction of some of the techniques that have been recognized in the world of the topic mentioned, the poem has been attempted to open the door to deep topics such as image and harmony. The original principle of poetry is that the images are properly placed on the poetic ground and - as Poe did when creating the "Kuzgun" - in the second stage it has been seen that a strong poetic speech can be revealed as a result of the rhythm being strongly applied to the poetic language.
The language of poetry presents a structure that should be handled and examined specifically in the literary world due to the unique communication channels it contains. In this genre, which can make references to many texts with little words, the elements of image and harmony are perhaps the dominant elements that differentiate poetry from everyday language or prose language and create a new language. Poetry is not just as it came out of the poet's pen, it is a formation that multiplies, spreads and makes sense with every reader. It is inevitable to take a systematic approach while analyzing poems in the system of images with many unknowns. There are theoretical approaches developed in order to evaluate the meaning layers of poetry correctly. The Theory of Relationships put forward by Dan Sperber and Deirdre Wilson, Michael Riffaterre's Semiotic Poetry Criticism Theory, and Russian Formalists' Theory of Meters are the theoretical approaches to be mentioned in this study. In academic studies on the language of Turkish poetry, it is essential to deal with this issue deeply and to reproduce the theoretical approaches specific to our literature. Deep topics such as image and harmony in poetry have been investigated in this research, which includes introducing some techniques that are respected in the world literature on the subject in question. It has been observed that a strong poetic discourse can be created as a result of the application of the image, which is the dominant principle that makes poetry, and the rhythm in the second stage, as Poe did when he created "The Raven".
Field : Sosyal, Beşeri ve İdari Bilimler
Journal Type : Uluslararası
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