Özet:

In this study, the subject of how the elements of nature are positioned as a narrative in the text Erksan's film "Untold Summer" was addressed as a matter of essence. The research on the subject has become more profound, and the reflections of the Anatolian culture, therefore the ancient Turkish culture, in the use of the natural elements in this film have been revealed. In this context, the relationship of the characters in the film with these elements of nature and the events that develop along with the reactions they give to them, the film's main subject, the guess, the breakthrough points, the manifestation of the characters, were addressed taking into account the studies that revealed social memory. Therefore, the basic assumption that this study is based on the hypothesis that the social-realist director Metin Erksan uses social memory codes by building a social-cultural-natural relationship in the film "Free Summer" with the idea that the cinema cannot be separated from the social culture. From here the relationship and similarities of the reactions of the ancient Turks with the natural elements and the relationship and reactions of the Anadolu Turks in the film with the nature have been investigated through the film "Susky Summer". In the study, the film was viewed in detail, examined written and visual materials related to the natural elements in the ancient Turkish world. All the studies were gathered together and the relationships of the ancient Turks with the natural elements and the recent reactions of the Anadolu Turks to the same natural elements were detailed by the meeting of Metin Erksan in the film "Sus Summer" and thus the film was revealed on the basis of the indicative analysis method of how the natural elements are placed as a narrative.

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