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İstanbul’un fethinden sonra Fatih Sultan Mehmed şehirdeki ikinci sarayını zeytinlik olarak adlandırılan bölgeye inşa ettirmiştir. Saray-ı Cedid (Yeni Saray) olarak anılan bu sarayın Marmara Denizi’ne bakan yamacına inşa edilen ahşap Topkapı Sarayı zamanla adını Saray-ı Cedid’e bırakmış ve Saray-ı Cedid Topkapı Sarayı olarak anılmıştır. Dört avlu etrafında genişleyen Topkapı Sarayı Sultan Abdülmecid Dönemi’ne kadar faal olarak kullanılmıştır. Söz konusu dönemden itibaren devletin yönetimi Dolmabahçe Sarayı’na taşındığı için Topkapı Sarayı bakımsız kalmıştır. Hanedanın Dolmabahçe Sarayı’na geçişinden sonra özellikle Ramazan Aylarında kutsal emanetlerin bulunduğu Hırka-i Saadet Dairesi’ni ziyaret etmek isteyen padişahların ziyaretleri öncesinde bazı onarım faaliyetleri gerçekleşmiştir. Özellikle Sultan V. Mehmed Reşad döneminde Topkapı Sarayı’nda gerçekleştirilen onarımlar dönemin mimari üslubunu yansıtacak şekilde yapılmıştır. Zira bu onarım çalışmaları için görevlendirilen mimarlar arasında Ulusal Mimarlık Üslubunun en önemli temsilcilerinden Mimar Vedad Bey de bulunmaktadır. Aşamalı bir şekilde gerçekleştirilen onarım çalışmaları belirli yapılarla sınırlı kalmıştır. Bu onarımların bir kısmı 10 Ekim 1915 tarihli Muhafaza-i Âsâr-ı Atîka Encümeni Dâimisi’nin raporunda eleştirilmiştir. Sultan V. Mehmed Reşad döneminde tarihi eserlere verilen önem, müzecilik faaliyetleri ve restorasyon çalışmaları dönemin onarım çalışmalarını ve inşa faaliyetlerini etkilemiştir.
After the conquest of Istanbul, Fatih Sultan Mehmed built his second palace in the city in the area called the olive. The palace called Cedid (New Palace) was built on the basement of this palace that looks to the Marmara Sea, the wooden Topkapı Palace with time left its name to Cedid and the palace is referred to as Cedid Topkapı Palace. The Topkapı Palace, which extends around four gardens, has been used as active until the Sultan Abdülmecid period. Since that period the government has moved to the Dolmabahçe Palace, the Topkapı Palace has remained unhealthy. After the transition of the Haneda to the Dolmabahçe Palace, some repair activities took place before the visits of the Padişah who wanted to visit the Hırka-i Saadet Apartment, especially in the months of Ramadan, where the sacred emanet is located. Specifically, the repairs carried out in the Topkapı Palace during the Sultan V. Mehmed Reşad period were made in a way that reflects the architectural style of the period. In addition, among the architects appointed for these repairs, the most important representatives of the National Architecture Association are the Architect Vedad Mr. The repair work is limited to certain structures. Some of these repairs were criticized in the 10th October 1915 Conservation-i Âsâr-i Atîka Encümeni Dâimisi report. The importance given to historical works during the Sultan V. Mehmed Reşad period, the museum activities and restoration works have influenced the repairs and construction activities of the period.
After the conquest of Istanbul in 15th century, Fatih Sultan Mehmed had his second palace built in the area called the olive grove. The wooden Topkapı Palace was built on the slope of this grove overlooking the Marmara Sea. It was initially known as Saray-ı Cedid [New Palace] and was renamed Topkapı Palace in the 19th century. Topkapı Palace was expanded around four courtyards and used actively until the reign of Sultan Abdulmejid I, when the dynasty’s administration was moved to Dolmabahçe Palace, after which Topkapı Palace was left neglected. Some restoration activities were later carried out before the visits of sultans who wanted to visit the Hırka-i Saadet Dairesi [Chamber of the Blessed Mantle], where the holy relics are located, especially during Ramadan. During the reign of Sultan Mehmed V in particular, repairs were carried out in Topkapı Palace to reflect the architectural style of the period. The architect Mehmet Vedat Tek was one of the architects assigned for these restoration works and one of the most important representatives of the national architecture style. In the buildings where restorations were carried out, both decorative and structural repairs were made. Some of these repairs were criticized in the Muhafaza-i Âsârı Atîka Encümeni Daimisi [Permanent Council of the Conservation of Antique Monuments] Report from October 10, 1915. The importance given to historical artifacts, museum activities, and restoration works during the reign of Sultan Mehmed V affected the repair and construction activities of the period.
Alan : İlahiyat; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Ulusal
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