Abstract:

The transitional periods and the music relationship are issues that can be discussed in many ways. The transition period in which music is commonly used as a ritual and function is "marriage". Weddings, which are the social announcement and celebration of marriage, are traditional entertainment/testions/cents that are embedded with music and expressed with music. In wedding ceremonies, it is beyond having open functions such as music, advertising, entertainment, entertainment, play. Each phase of the marriage transition period gains a distinctive structure and content according to cultural codes and functions, so that it will have a separate musical character. During this period, a series of cultural events, while creating music, music creates new behaviors. When we express from another perspective, the ability to perform music is a series of learned behaviors that are specific to the culture, as well as the understanding and understanding of music is also within this scope. From this point of view, the correct and meaningful performance measure of the player performing music within a culture can be revealed by the attachment of the attachment-specific attitude; at the same time, the ability of the audience in which music is reflected to understand/reflect the distinctive structure and any behavior they will carry out in this direction also depends on the pre-learning of the model and judgments relating to the tradition. In this context, in this article "in the music and culture axis" the relationship of traditional music with the marriage transitional period was studied in the context of contextual conditions; the analysis was made on how music is positioned, coded and reflected as a form of behavior within a culture.

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