Özet:

The Dîvân literature, which has a long history, is a literature that has its limits surrounded by certain patterns and has its own world of magnitude. It is possible to find these kinds of dishes in the works. This work we are trying to deal with and in the 17th century by Sahhâf Ahmed Rüşdî the work of the Sherh-i Dîvân-i Urfî-i Şîrâzî is also in an honorable benefit. In the Turkish literature, the poems of Urfî-i Şirâzî have been written by many sheriffs. One of these is the honor of the Sahahf Ahmed Rushdie. The word “sherh” means “open” or “cutting” something. For example, if you do not know the truth, then the truth is the truth; if you do not know the truth, then the truth is the truth; if you do not know the truth, then the truth is the truth; if you do not know the truth, then the truth is the truth, then the truth is the truth. And the poet, who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one who was the one. In this study, first Sahhâf Ahmed Rüşdî and Şerh-i Dîvân-i Urfî-i Şirâzî’s biographical information was given about Mahmut in Kabilelizâda, then Sherh-i Dîvân-i Urfî-i Şirâzî’s work was presented in detail, then the sherih’s sherih method was revealed. At the end of the study, the 2 cassettes and some examples of the gazel and continental sherh were placed, and in Annex-1 and Annex-2 sections, some pages of the nishan were detailed and some archive documents related to Mahmut in Kabilisia were added.

Anahtar Kelimeler:

Özet:

Classical literature, which has a deep past, accommodates many poetic and prosaic works that are written according to pre-identified patterns. The subject of this study, Şerh-i Dîvân-ı Urfî-i Şîrâzî, was written in the 17th century by Sahhâf Ahmed Rüşdî and is a prosaic work. There have been many commentators who wrote numerous exegeses about the poems of Urfî-i Şîrâzî. One of them is the exegesis of Sahhâf Ahmed Rüşdî. Exegesis means to open or to fissure according to the dictionary definition. However, terminologically, it means that those who have better understanding over the particular topic try to explain the ambiguous and hazy expressions, in other word, they explain it at great length. Sahhâf Ahmed Rüşdî also did the same while explaining the poems of Urfî. In this study, firstly, some biographical information is given about Sahhâf Ahmed Rüşdî and Kıblelizâde Mahmut, a copyist of Şerh-i Dîvân-ı Urfî-i Şîrâzî, then Şerh-i Dîvân-ı Urfî-i Şîrâzî is introduced in detail, and finally the methodology of commentary is explained. Two odes, some gazelles and stanzas of Urfi are mentioned, and some pages from the aforementioned work and some information about Kıblelizâde Mahmut is given in attachment 1 and 2 at the end of the study.