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14
Sanatkâr, tarihî bir gerçekliği hayal gücünün katkısıyla estetik kurgu içerisinde işlevsel olarak kullanarak ve yeniden inşa ederek okuyucuların dikkatine sunar. Kimi yazarlar bunu yaparken, ideolojik eğilimleriyle biçimlenen göreceli bilgi dağarcığının aktarımını sağlama amacı güderler. Bu bağlamda değerlendirilebilecek yapıtlardan biri de Vehbi Bardakçı tarafından kaleme alınan Şeyh Bedreddin Destanı adlı romandır. Osmanlı tarihinin henüz aydınlığa kavuşturulamamış kişiliği olan Şeyh Bedreddin, kurmaca dünya içerisinde Marksist söylemin somutlaştığı toplumsal bir özne olarak belirir. Kültürel belleğin katkısıyla halkla birleşerek, adeta nesneleşen toplumun sesi olur. Mülkiyetsiz topraklar, kolektif üretim, adaletli paylaşım ve insanlık dini görüşü onun öğretisinin varlık alanını oluşturur. Şeyh Bedreddin’in yaşamı, düşünceleri ve bunları yaşama geçirme çabasının idamla sonuçlanması, kurmaca dünyaya taşınırken Osmanlı’yı yönetenler olumsuz özellikleriyle romanda yer bulur. Toplumsal özne durumundaki Bedreddin, kurgusal söylem içerisinde düzene karşı geliştirdiği tepkilerle, köylünün sosyal yapısını değiştirmeye, öz gücünü açığa çıkarmaya ve onları bilinçlendirmeye çabalayan idealist bir kişilik olarak olumlu kahraman öğretisine uygun biçimde ele alınır.
The artist brings the attention of the readers by using and reconstructing a historical reality functionally in aesthetic fiction with the contribution of imagination. Some writers, while doing this, seek to ensure the transmission of the proportional information spread formed by their ideological tendencies. One of the works that can be evaluated in this context is the novel Shayh Bedreddin Destana, which was painted by Vehbi Bardakçı. Sheikh Bedreddin, a person of the Ottoman history which has not yet been revealed, appears as a social essence in which the Marxist speech is materialized in the fictional world. With the contribution of cultural memory, the public is united, the voice of a very objective society is made. Unowned land, collective production, fair sharing and humanity religious views form the field of existence of its teaching. The death of Sheikh Bedreddin's life, thoughts and attempts to live them, while the fictional world is moved, the Ottoman rulers are in the novel with their negative characteristics. Bedreddin in the state of social essence, with his reactions to the order in the fictional speech, is treated in accordance with the teaching of the positive hero as an idealist personality seeking to change the social structure of the peasant, to reveal his self-power and to awareness them.
The craftsman brings historical reality to readers, using it as a functional in aesthetic fiction with a contribution of imagination. However, some authors seek to ensure the transfer of relative knowledge formed by their ideological tendencies. One of the works that can be assessed in this context is Sheikh Bedreddin Destani, written by Vehbi Bardakci. Sheikh Bedreddin, whose identity has not yet been fully elucidated, acts as a social subject in which Marxist discourse is specified in a fictional world. With the contribution of cultural memory, it becomes the voice of a society that is almost objectified, connecting with people. Fixed lands, collective production, a fair division and a religious view of humanity constitute the sphere of existence of his teachings. The life and thoughts of Sheikh Bedreddin and the execution of his attempt to force them to implement fiction. Bedreddin, who is in the state of a social subject, is considered in accordance with the hero's positive teachings as an idealistic person who tries to change the social structure of the peasantry, reveal itself and raise awareness of them in a fictional discourse with its reaction against order.
Alan : Filoloji
Dergi Türü : Uluslararası
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