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Bu çalışmayla sinemada anlatı-biçim ilişkisine yeni bir perspektiften bakan neoformalist yaklaşımdan yararlanılarak son yıllarda Türk sinemasında önemli bir yer edinen yönetmen Nuri Bilge Ceylan’ın Uzak filmi analiz edilmiştir. Neoformalizm (yeni biçimcilik), ilk olarak Amerikalı sinema araştırmacısı David Bordwell’in Historical Poetics adlı çalışması ile gündeme gelmiştir. Bu yaklaşım; edebiyat, sinema ve benzeri diğer sanat dallarında anlatısal olarak tamamlanmış bir sanat eserini inceler; eserin oluşturulma sürecini ve ilkelerini araştırır. Neoformalizm, iki önemli soruya yanıt aramaktadır: İlki filmlerin oluşturulduğu sürede ilkeleri nelerdir? Bir diğeri ise; filmler hangi koşullarda, nasıl ve neden ortaya çıkmıştır? Çalışmada öncelikli olarak sinemada biçim ve anlatı kavramı literatür taraması yapılarak açıklanmıştır. Daha sonra sinemada biçim ve anlatı ilişkisine odaklanan neoformalist yaklaşım hakkında bilgiler sunulmuştur. Son olarak ise neoformalist ilkelere göre Uzak filmi analiz edilmiştir. Analiz sonucunda filmin anlatı olarak klasik tarza özgü; seyirciye cazip gelebilecek olay örgüsü merkezli bir anlatı bütünlüğünün olmadığı tespit edilmiştir. Ayrıca filmde, anlatı kronolojik olarak doğrusal gelişen bir akışa sahiptir. Biçim olarak filmde minimalist bir eğilim dikkat çeker. Gündelik yaşam deneyimini ön plana çıkarmak için gerçekliğin eş zamanlı bir sunumu filmin biçimsel yapısını oluşturmuştur. Gerçeğin sunumunda, gündelik yaşam deneyimini ön plana çıkarmak; görsel ifadeyi bu deneyimi ortaya çıkaracak atmosferin kurulmasına odaklamak ve bu deneyimin dolaysız, doğal bir imgesini yakalamak, ortaya çıkarmak, Uzak filminin en belirgin ifade biçimidir.
With this work, the neo-formalist approach to the story-form relationship in the cinema has been used to analyze the film of the director Nuri Bilge Ceylan, who has taken an important place in the Turkish cinema in recent years. Neoformalism (new formalism) was first developed by the American film researcher David Bordwell’s work “Historical Poetics”. This approach examines an artwork that has been historically completed in literature, cinema and other disciplines of art; it explores the process and principles of the creation of the work. Neoformalism is looking for answers to two important questions: What are the principles when the first films are created? The second is: in what circumstances, how and why did the films appear? In the study, the concept of form and narrative in the cinema was first explained by scanning literature. Later, information was presented in the cinema about the neo-formalist approach that focused on the form and narrative relationship. Finally, according to neo-formalist principles, the Far Film was analyzed. As a result of the analysis, the story of the film is unique to the classical style; the event group that can appear attractive to the audience has not been found to have a story-centered integrity. Also in the film, the story has a linear flow that develops chronologically. The film has a minimalist tendency. A simultaneous presentation of reality to bring the daily life experience to the forefront has created the formal structure of the film. In the presentation of the truth, putting on the forefront the daily life experience; focusing on the creation of the atmosphere that will reveal the visual expression of this experience, and capturing, revealing an indirect, natural image of this experience, is the most evident form of expression of the Far Film.
In this study, the film Uzak, the director of Nuri Bilge Ceylan, which has gained an important place in Turkish cinema in recent years, has been analyzed by utilizing the neoformalist approach which looks at the narrative-form relationship in cinema from a new perspective. Neoformalism was first introduced by American film researcher David Bordwell in his book Historical Poetics. This approach; examines narrative work of art in literature, cinema, and other arts; investigates the process and principles of creation of the work. Neoformalism seeks answers to two important questions: First, what are the Principles of film making process? The other is; under what conditions, how and why did films emerge? In this study, the concept of form and narrative in cinema have been explained by literature review. Then, information about neoformalist approach which focuses on the relationship between form and narrative in cinema is presented. Finally, the film Uzak was analyzed according to neoformalist principles. As a result of the analysis; it is determined that the narrative of the film is specific to the classical genre and there is not a plot-based narrative integrity that might appeal to the audience. The causality relationship in the narrative is weak. Also in the film, the narrative has a chronologically linear flow. As a form, a minimalist tendency in the film is remarkable. A simultaneous presentation of reality has formed the formal structure of the film in order to highlight the experience of everyday life. To emphasize the experience of daily life in the presentation of reality; focusing visual expression on the establishment of the atmosphere to expose this experience and capturing and revealing a direct, natural image of this experience is the most distinctive form of the film Uzak
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Dergi Türü : Uluslararası
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