Özet:

Classical Turkish music has changed, developed, and passed through specific periods by being exposed to many interactions regarding the geography in which it was formed and performed. The most important feature that distinguishes these periods from each other is the forms. These forms differ according to the socio-cultural characteristics, musical understanding, performance methods, instruments used in the performance, style, and attitude of the period in which they are performed. The study examines the change and transformation process of the song form, one of the oral composition forms of Classical Turkish Music, between the 17th-20th Centuries. Historical research design, one of the qualitative research methods, was used in the research. Information on the subject was collected from journals, books, articles, and theses by the survey method. The study is limited to the period between the seventeenth century, when the first examples of the song form began to be seen, and the twentieth century, when it was primarily composed in Turkish music. As a result of the research, it has been seen that the song form was composed with major tempos in accordance with the classical understanding in the eighteenth century; and it was composed with small tempos up to ten times from the nineteenth century. It has been determined that the form was formed within the framework of specific rules by placing it systematically with Hacı Arif Bey.

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