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Abstract This essay explores the dichotomy between the processes of the so-called Russian cultural identity as a form of affiliation with the Soviet ideology. It takes Tarkovski’s film and its clashes with the Socialist realism as its starting point. There lies the sources of a discussion, not least controversy, that goes beyond the very limits of the Soviet revolutionary vanguard. According to the hypothesis of our work, the conflicts surrounding the Russian vs. Soviet conflicts can be scaled in three areas: the geopolitical, cultural, and ideological. As it is set in the literary, cinematic and semiotic fields, we have found arguments and experiences that lead us to situate the main research’s question as a way for a critical investigation of an almost unknown history. Downloads Download data is not yet available. Author Biography Irene de Araújo Machado, Universidade de São Paulo Professora da Escola de Comunicações e Artes da USP; Professora do PPG em Meios e Processos Audiovisuais da USP; Pesquisadora CNPq PQ-1D; Editora Científica da Revista Significação e da Revista E-Compós. Orientadora de Mestrado e Doutorado no campo da Semiótica da Cultura. References AMÉRICO, E. V. Alguns aspectos da semiótica da cultura de Iúri Lotman. 2012. Tese. (Doutorado em Literatura e Cultura Russa) - Programa de Pós-graduação em Literatura e Cultura Russa, Universidade de São Paulo, São Paulo, 2012.

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