Abstract:

The poetry of the classical Turkish poetry is attempted to be identified by movement from the poems in the works of the poets. These works include the words and complements used in exchange for poet/poet, the aspects that should be in a poet and the comparison elements related to poet/poet. It is also possible to see the view of the art environment of the period in which the poets lived in the painted works, their opinions about other poets. The XV. One of the most important poets of the century, Karamanlı Nizâmî, has expressed his views and thoughts on the poet and poet's understanding in Divan's castles' honorary sections, his gazels' makta/mahlas beits and other poetic-qualitative beits or bents. The poet and the poem, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet, and the poet. In this context, nergis and bulbull related to poetry; in the context of poetry, it has established a similarity with concepts such as gold, cevher, misk/lal, muciz, sugar, tent/tomb, rose and trap. This study consists of three parts: in the first part it is given information about Karamanlı Nizâmî’s life and literary personality. In the second part of the Karamanlı Nizâmî Divanı with the movement of the poet's understanding, the general views, comparisons and the names of the poet were placed, the poet was influenced. In the third part, it is referred to the views of Karamanlı Nizâmî about poetry and the comparisons of poetry.

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