Özet:

Classical Turkish poetry has a relatively limited word mountain and strict form rules. From this situation, the view that the inspiration of the divan poets is as limited as possible and the texts that are repeated, whether or not, are widely accepted. Those who are opposed to this point of view, even opposed their objections on the basis of the goodness of speech, accepted the claim of the mosquito in a way. In fact, despite the centuries and hundreds of members, with the possibility of standardization determined by the tradition, general rulings on any concept, fact or plot in the classical Turkish poetry can be reached. Of course, most of the evaluated academic studies on the classical Turkish poetry are aimed at identifying the common characteristics of this poetry. There has been a wide range of possibilities to identify the characteristics of any image in the classical poetry. But it cannot be said that by the same image the individual differences and therefore any standard is formed to identify the poet’s originality/space of authenticity. Therefore, the issue of the originality of the poet is still necessary to be discussed from various points of view. In this study, by moving from the need, the concept of gums that can be characterized in the form of one of the most cliché themes of the classical Turkish poetry, focused on Fuzûlî, one of the most famous representatives of this literature. In 1556, the question of the originality of the divan poet was discussed.

Özet:

Classical Turkish poetry has a relatively limited vocabulary and strict rules of form. From this point of view, it is widely accepted that the inspiration of diwan poets is limited and inevitably create texts that are repetitive. Even those who have opposed this view have developed their objections on the basis of beauty of utterance . Therefore, they accepted this claim in a certain aspect. As a matter of fact, despite the fact that classical Turkish literature is a tradition that lasts for centuries and has hundreds of members, general terms can easily be reached on any concept, phenomenon or understanding in this literature. However, most of the analyzes on classical Turkish poetry are aimed at identifying the common features of this poem. A large literature has emerged to identify the features of any image in the classical Turkish poem in the common imagination. However, it is not possible to say that there is any standard for determining individual differences and the specificity/originality of the poet. For this reason, the question of the originality of the diwan poet still needs to be discussed in various respects. In this study, the concept of bazm which can be defined as one of the cliché themes of classical Turkish poetry has been taken into consideration. And the originality of the diwan poet is discussed in the person of Fuzuli (died 1556), who is seen as one of the greatest representatives of this literature.

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