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Abstract This essay investigates the relationship between documentary movies, historical memory and the place of the contemporary spectator. It takes Andrea Tonacci’s Serra da Desordem (2004) in order to think such issues as well the multiple faces of the documentary: record, witness, sociological essay and voyeurism. Downloads Download data is not yet available. Author Biography Andréa França, PUC-RIO D Downloads PDF (Português (Brasil)) How to Cite França, A. “The Cinema Between Memory and Documentary”. Intexto, no. 19, Mar. 2009, pp. 18-31, https://seer.ufrgs.br/index.php/intexto/article/view/7999. More Citation Formats ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver Download Citation Endnote/Zotero/Mendeley (RIS) BibTeX Issue No. 19 (2008) Section Articles License The copyright of works published in this journal belong to the authors, and the right of first publication is conceded to the journals. Due to the journal being of open access, the articles are of free use in research, educational and non-commercial activities.

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