Özet:

The tradition of popular historianism has been studied in the stages of oral, written, electronic culture, which are the three cultural stages of mankind. The love stories processed in popular stories and the national heroic stories were tried to be proven through the examples that were transmitted through films, series, logos, social media sharing, capsler in the electronic age. The heroes in the stories are divided into three groups: the hero who runs for his lover, the hero who is interested in national affairs, and the hero who is in love. The data in hand is interpreted in the framework of the interdisciplinary theory. The idea that no text written according to intertext is new, the idea that the information existing in memory is re-written explains the transfer of public stories to the secondary verbal cultural environment. There are many different types of women in the world, and there are many different types of women in the world, and there are many different types of women in the world. The processing of women and passive women in visual elements, such as Destan heroes, which are subject to national matters, has been analyzed. The insurgency of male authority through visual elements, the images that attracted attention to female violence through mythology have been evaluated in theoretical framework. In the film industry, there is also an idea about the development of anti-traditional speeches by misinterpreting the tradition, separating individuals from the tradition, unifying them. The aim of this study is to show that the contents of the elements in the tradition do not disappear, they change shapes through different communication channels. In the study, the reality of the Evolutions of Culture - Storytelling Heroes, the eril reality of the Storytelling Heroes, the eril popular story types of electronic culture and the powerful female characters are explained in the context of intertext using the subtitles.

Anahtar Kelimeler: