Türkiye’de büyük bir kesimi etkisi altına almış olan “arabesk müzik” ile sanatın 7. dalı olarak kabul gören “sinema” nın birleşmesi, Türk sinemasında arabesk müzik içerikli filmlerin çekilmesine vesile oluşmuştur. Yeşilçam sinemasının şarkılı film özelliğini devam ettirmiş olan bu yaklaşımın görsel ve işitsel ögelerden yararlanarak dönemin tarihsel, kültürel ve müzikal etkilerinin aktarımında etkin bir rol üstlenmekte olduğu görülmektedir. Araştırmada, “Ferdi Tayfur” örnekleminden yola çıkarak arabesk müzik içerikli Türk sineması örneklerinin çeşitli yönleri ile incelenmesi hedeflenmiştir. Araştırmada literatür tarama, içerik analizi ve tarihi araştırma modelleri kullanılarak dönemin popüler arabesk şarkıcılarından Ferdi Tayfur’un 1976-1986 yılları arasında beyaz perdede gösterime girmiş 27 filmi ve içerisinde yer alan şarkıları konuya yönelik hazırlanan değerlendirme ölçeğine tabi tutularak incelenmiştir. Elde edilen sonuçların birkaçından bahsedecek olursak, Ferdi Tayfur 1976-1986 yılları arasında yirmi yedi filmde başrol oyuncusu olarak yer almış ve bu filmler içerisinde yaklaşık olarak doksan altı eseri seslendirmiş olduğu Ferdi Tayfur’un eserlerinin arabesk şarkı formunda ve makamsal yapı özelliklerine sahip olduğu, film içerisinde ortalama beş adet esere yer verilmiş olduğu, yer verilen eserlerin tamamını seslendirdiğidir.
The combination of "Arabic music", which has been influenced by a large portion in Turkey, and the "cinema", which is recognized as the 7th branch of art, has been the occasion of the filming of Arabic music in the Turkish cinema. This approach, which has continued the characteristic of the singing film of the Green Cinema, appears to take an effective role in the transmission of the historical, cultural and musical effects of the period, taking advantage of visual and hearing objects. In the study, the aim of the "Ferdi Tayfur" sample was to study the Arabic music-containing Turkish cinema examples with various aspects. In the study, literature scan, content analysis and historical research models used, the popular Arabic singer Ferdi Tayfur’s 27 films and the songs contained in the white corner between 1976 and 1986 were studied under the scale of prepared evaluation for the subject. If we talk about some of the results obtained, Ferdi Tayfur was the protagonist in twenty-seven films between 1976 and 1986 and has sounded about nine-six works in these films; Ferdi Tayfur’s works are in Arabic song form and have makamsal structural characteristics, the film has an average of five works, and all of the works are recorded.
A large part of which is taken under the influence in Turkey, "arabesque" and recognized as a branch 7. art "cinema" unification has occurred instrumental in the withdrawal of the arabesque-containing films in Turkish cinema. This approach, which has continued the feature of Yeşilçam cinema with songs; It is seen that by making use of visual and auditory elements, it plays an active role in the transfer of the historical, cultural and musical effects of the period. In the study, it was aimed to examine examples of Turkish cinema with arabesque music content from various aspects, based on the "Ferdi Tayfur" sample. In the research, using literature review, content analysis and historical research models, Ferdi Tayfur, one of the popular arabesque singers of the period, has been examined by subjecting to the evaluation scale prepared for the subject, 27 films and the songs in it, which were shown on the big screen between 1976 and 1986. If we talk about some of the results obtained, Ferdi Tayfur took part as the leading actor in twenty-seven films between 1976-1986 and he voiced approximately ninety-seven works among these films; It is stated that Ferdi Tayfur's works are in arabesque song form and have modal structure features, an average of five works were included in the film, and he performed all of the works featured.
Alan : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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