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  Citation Number 1
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Mısırlı Neo-Klasik Şair Veliyyüddin Yeken’in Eserlerinde Sultan II. Abdülhamid
2020
Journal:  
Dokuz Eylül Üniversitesi İlahiyat Fakültesi Dergisi
Author:  
Abstract:

Bu çalışmada, son dönem Osmanlı aydınlarından olan Mısırlı neo-klasik şair ve yazar Veliyyüddîn Yeken’in eserlerinde Sultan II. Abdülhamid’e bakış açısı ele alınmıştır. Edebî çalışmaları incelenecek Yeken, kökeni itibariyle Türk olup, Osmanlı coğrafyasının en önemli kültür merkezlerinden biri kabul edilen Mısır’da yetişmiştir. Yeken, Mahmûd Sâmî el-Bârûdî’nin öncülüğünü yaptığı neo-klasik şiir olarak da bilinen modern Arap şiirinin en önemli temsilcilerindendir. Bu akımda yer alan şairler, Osmanlı padişahı Sultan II. Abdülhamid’e yaklaşımları ve bakış açılarında ikiye ayrılmışlardır. Akımın sembol isimlerinden olan Mahmûd Sâmî el-Bârûdî, Ahmed Şevkî, Hafız İbrâhîm gibi büyük şairler Sultan ve Osmanlı hilâfeti lehine şiirler kaleme alırken, Abdülhamid karşıtlığıyla bilinen Yeken, şiir ve yazılarıyla Abdülhamid’i hedef almıştır. Etnik kökenleri, yetiştikleri ailelerin sosyo-ekonomik statüleri, yerel otoriteye yakınlıkları, yüksek bürokratik makamlara ulaşmaları, şiir yetenekleri gibi pek çok ortak noktaları bulunan Ahmed Şevkî ve Veliyyüddin Yeken, Sultan Abdülhamid hakkında birbirine tamamen zıt kanaatlere sahip olmuşlardır. Sultan Abdülhamid’in 27 Nisan 1909 tarihinde tahttan indirilmesine derinden hüzünlenen Ahmed Şevkî, “Yıldız Sarayı” veya “Osmanlı İnkılabı ve Sultan Abdülhamid’in Devrilmesi” adlı bir kaside kaleme almıştır. Yeken ise, Şevkî’nin kasidesine öfkelenerek bu kasideyle aynı vezin ve kafiyeye sahip “Zamanın Gözyaşları” anlamına gelen “ʻAbratu’d-Dehr” başlıklı nazire mahiyetinde bir kaside nazmetmiştir. Yeken, Abdülhamid karşıtı olmakla birlikte etnik kökeni ve Osmanlı mensubu olmaktan duyduğu gururu her fırsatta dile getirmiştir. Sultan Abdülhamid’in tahttan indirilmesinden sonraki süreçte özellikle devletin içinde bulunduğu olumsuz koşullara hüzünlenen şairin, Abdülhamid’e karşı tutumu ve hakkındaki düşüncelerinde yumuşamalar olmuştur. Sultan’ın dönemini arar hale geldiğini belirten kendi duygularını itiraf etmekten çekinse de bu duyguları, insanların o günleri arar hale geldiklerini ifade ederek dile getirmiştir.

Keywords:

In the works of the Egyptian Neo-Classic poet Veliyyuddin Yeken, Sultan II. by Abdülhamid
2020
Author:  
Abstract:

In this study, Sultan II in the works of the Egyptian neo-classic poet and writer Veliyyüddîn Yeken, who was from the last period of Ottoman lights. The point of view of Abdülhamid was discussed. The literary works will be studied, Yeken has grown in Egypt, which is recognized as one of the most important cultural centers of the Ottoman geography. Yeken is one of the most important representatives of modern Arab poetry, also known as the neo-classic poetry which Mahmoud Sâmî al-Bârûdî led. The poet is the Ottoman king Sultan II. They are divided into two points of view and approaches to Abdullah. In the words of the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him), the Holy Prophet (peace and blessings of Allah be upon him) and the Holy Prophet (peace and blessings of Allah be upon him). The ethnic origins, the socio-economic status of the families they raised, their proximity to the local authority, their reach to the high bureaucratic authorities, their poetic talents, Ahmed Shevkî and Veliyyuddin Yeken, who have many common points, have had completely opposite claims about Sultan Abdülhamid. Ahmed Shevki, who was deeply saddened that Sultan Abdülhamid was dropped from the throne on April 27, 1909, received a pen in a cassette called "Star Palace" or "The Ottoman Inquisition and the Revolutions of Sultan Abdülhamid". If Yeken was angry with the castle of Shevki, he was born in a castle in the Nazire, named 'Abratu'd-Dehr' which means "Times' Tears" with the same castle and the same castle. Yeken has expressed his pride in being an ethnic and Ottoman member at every opportunity, while being anti-Abdulhamid. In the process after Sultan Abdülhamid's descent from the throne, the poet, who was sad of the negative conditions within the state, had mildness in his attitude and thoughts about Abdülhamid. Although he was afraid to admit his own feelings that stated that the time of Sultan was searching for, he expressed these feelings by expressing that people were searching for those days.

Keywords:

0
2020
Author:  
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Dokuz Eylül Üniversitesi İlahiyat Fakültesi Dergisi

Field :   İlahiyat

Journal Type :   Ulusal

Metrics
Article : 224
Cite : 332
2023 Impact : 0.18
Dokuz Eylül Üniversitesi İlahiyat Fakültesi Dergisi