Özet:

The XXI. Annie Ernaux, the greatest female writer of the French literature of the century, has published numerous works in the field of female identity and psychology. In his works, he pursued his own inner journey and his social responses, sometimes a person, sometimes a feeling. In his novel, which fits with the title of the content and is translated into Turkish with the name "False Passion", the writer also boldly reveals his emotional relationship with a married man with full clarity. Since the youth years, the passion, a way of being for the writer, has been painted with different components in this novel. Based on the expectations of a woman in this relationship, every meeting with a lover becomes a source of life for a woman. The passion that captures a woman’s body, soul, mind and turns into a violent and devastating disarmament is an irresistible force that moves all her creative abilities in it. In this regard, Ernaux recognizes unlimited freedom in his passion, exceeding the "fatal" dimension of the classical "passion-love" which does not contain anything other than his own "legis" and which is in this regard the human will down to nothing; and he recognizes unlimited freedom in his passion. Passion, as a writer, feeds and stimulates his creativity; it drives him into a series of spiritual interpretations. In this study, the work of Descartes, "The Passions of the Spirit", which sees passion not as a spiritual "anomalie" but as an important "experience of confrontation" to recognize the inner world of man, will be adopted as a theoretical framework.

Anahtar Kelimeler:

Özet:

Annie Ernaux, who is one of the greatest woman writers of the 19 century French literature, wrote numerous works in the field of woman identity and psychology. In her works, she pursues her own inner journey and its social responses, and deals sometimes with a person, sometimes with a feeling. In her novel, the title of which is in accordance with its content and which was translated into turkish as " Yalın Tutku ", the writer reveals explicitly and bravely her emotional relationship with a married man. The passion which had been a form of existence since her childhood period was written with its different components in this novel. In the relationship which depends upon the expectations of the woman, each meeting with her lover becomes a source of life for the woman. The Passion which imprisons the woman's body, her soul and mind and which is transformed into violent and destructive obsession, is the irresistible force which triggers all her creative faculties. Ernaux who degrades human will into nothingness and makes it blind, by going beyond the fatal extent of classical passion-love which does not include anything inside with the exception of its own laws gives unlimited freedom to herself. The Passion as an author promotes, triggers her creativity and pushes her into a group of spiritual analyses. In this study, Descartes' work “the Passions of the Soul” which accepts the passion as an important “encountering experience” not as a spiritual anomalie to learn man’s inner world will be taken as an theoretical framework.