Özet:

One of the founding poets of modern Turkish poetry is undoubtedly Yahya Kemal. One of the basic qualities that distinguishes him from his contemporary writers and poets is more than the elements of the outside world, focusing on the new approaches he tries in his poetry and develops and matures with time. The main concept identified with the poet’s name in this book/the poet’s history is “derûnî âhenk” (rythme intérieur) or “musical phrase”. At the same time, the poet is also one of the first researchers to produce information that is thoughtful about this concept. In the words of the Holy Prophet (peace and blessings of Allah be upon him) and the words of the Holy Prophet (peace and blessings of Allah be upon him) and the words of the Holy Prophet (peace and blessings of Allah be upon him) and the words of the Holy Prophet (peace and blessings of Allah be upon him) and the words of the Holy Prophet (peace and blessings of Allah be upon him). Through deepening and making the subjects sharp, it can be said that he is never an enthusiastic in the context of poetry art, but a multi-found counterpart who dedicates his life to this work. In this article, Yahya Kemal will try to resolve the change in which he – with a little forced by the conditions of the revolution – has a distance between the subject and the outer world with the poetry and the poem understanding and the journey of the poetry to the inner world is summarized by the “Ses” (“Ver” redirected) rubber or the effort to reveal a original/different perspective of the poet’s poetry in other words. With other examples to be used, the other texts that this comment will be discussed together will be the poems of Nazım Hikmet's "Today Sunday" and Salah Birsel's "Poetry lesson".

Anahtar Kelimeler:

Özet:

Yahya Kemal is undoubtedly one of the founding poets of modern Turkish literature. One of the main characteristics that distinguishes him from the poets of his generation is that he focused on the new experiments in inner musicality rather than the external elements in composing poetry. In this context, the main concept identified with the name of the poet in the history of Turkish poetry is “derûnî âhenk” [rythme intérieur] or “musical sentence” in poetry. In addition to producing poetry in internal rhythm, he was also writing essays on the musical devices in poetry, such as on internal harmony, internal rhythm or internal musicality. This shows that he wasn’t just enthusiastic about the art of poetry, but someone who thinks seriously about it. This article aims to provide a close reading and interpretation of Yahya Kemal’s poem entitled “Ses” [Voice] in order to demonstrate how he distanced himself from the understanding of poetry based on the external world. This attitude in composing poetry based on internal harmony exemplified in this rubai allowed Yahya Kemal to produce a unique poetry that was different from other poets of the time. In examining his rejection of the notion of theme-oriented poetry describing the outside world and favoring pure poetry based on the internal harmony, the article also considers Nazim Hikmet’s “Today is Sunday” [Bugün Pazar] and Salah Birsel’s “The Poetry Lesson” [Şiir Dersi].