Özet:

Hamdullah Hamdî was a poet who lived between 1449-1503. His youngest son, Hamdî, takes his first education from his father. A poet who loses his father at a child's age lives a troubled life because he has not received enough help from the other family members. His father, Abraham, was the one who was the one who was the one who was the one. The tasavvuf he first met through his father, affects him throughout his life. The most famous of them is the poet, who is known as the "Yusuf u Züleyhâ" (Joseph u Züleyhâ). His "Yusuf u Züleyhâ" mesnevis is the most perfect of those written until that time. The poet who remains attached to the classical mesnevian tradition while writing his work: Tevhit, Monacat, Naat, Miracle, Four Khalifa praises and Cause-i authoritarian sections, begins to tell the original story. In order to save his work from the foolishness and to advise the reader, he places many scenes in the story. It is noted that in the story part, it uses similar means many times when linking case parts to each other. These are the death, the deceit, the dreams and the attempts of Zuleihah to obtain Yusuf. The narrative provides the continuity of the story by repeating the aforementioned means in different places of the text. Many of these similar vehicles see a turnpoint role in the formation of events. This study aims to reveal the means that influence the action in the "Yusuf u Züleyhâ" mesnevis.

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