E. M. Forster’s novel “Howards End” implicitly employs Pierre Bourdieu’s capital theory with its concepts such as economic, social, cultural and symbolic capital by endowing its characters with different culturally embedded habitus. The characters, each of which belong to upper, middle and lower classes, are the representatives of their hierarchically structured classes. While each of the characters are donated with certain levels of capital, they struggle to compete to be powerful in the Edwardian society where injustices occur in all spheres of life. Thus, this paper attempts to analyze Bourdieusian manners and perception of fe(males) with an emphasis on modernity.
Alan : Filoloji; Güzel Sanatlar; İlahiyat; Mimarlık, Planlama ve Tasarım; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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