Özet:

In Celil Memmedguluzade's works, the country and man, the social problems of the people, women's freedom, ignorance, etc. Such issues have always been in the lead position. The writer has taken the subject of his work from his own life. “The Dead” is a tragic comedy of Celil Memmedguluzade. "The Dead" is Celil Memmedguluzade's most effective work against ignorance and evil. The success of the work is related to the image of his main hero Alexander. The writer in his work painted the typical picture of the Azerbaijani village, that is, the weak, poor, poor and ignorant society. There is a lot to be done to help people and people. In the article, the two fronts facing each other are mentioned, the Sheikh Nesrullah - the bad power and Alexander - is described in the form of the good power. Alexander is a terrible hero, a star shining in the dark environment. He is a struggling wise man who succeeds to accurately assess the real situation, but he has the only weapon in the struggle against ignorance that he is the Promise. He is skillfully using this weapon, but the ignorant does not understand Alexander, he does not even want to understand better. The foolish Sheikh Nesrullah, who laughed on religious and Islamic values, who turned it into a weapon for his personal interests, says to the people gathered to the cemetery to resurrect their dead: "Give the names of your dead you want to be removed." Sheikh Nesrullah calls on those who are trying to remove someone’s dead from the list for any reason. The way out of the deceiver is to give up the people of their own death. The fact that people stop resurrecting their dead for various reasons and thus slowly decreasing people is one of the most interesting points of the work. Only in this scene Mirza Celil has skillfully expressed that the people still live the useless traditions of a whole nation and that these traditions have become a great obstacle in the way of the people to form as a nation. The greatest truth of the "dead" is that the dead are not just in the tomb, but from the underground people, but from the ignorant society that has spent their lives in ignorance while they are alive. It is possible to deceive these "dead" as much as desired. This is not a random event, Sheikh Nesrullah expresses all his speech in the word to the "dead" in a language that the ignorant people do not understand. They only give their orders in the language they understand. The characteristics of the "Dead" tragic comedy called "Dead" in the article are compared with the common and distinctive characteristics of Novruzali in the "Postbox", the other work of the author. The author concludes that although the heroes of the "Dead" are aware of the post or telegraph, this is a sign that there is a small difference between them and Novruzali. Novruzali's inner injustice is more clearly seen in the heroes of "Dead". Internal disability, as it turns Novruzali into a weak person at the time of the post event, makes the Hacı Hasan like the Shayh Nasrallah a toy. Celil Memmedguluzade is concerned to bring serious people to the face of the forces that prevent the formation and awakening of the Azerbaijani people. This environment is so dark and this people is so weak that those who cheat against it can immediately destroy the serious person. Whatever Alexander seems weak in the face of the facts of immorality, miserability, unstability, his words that reflect the truth form the back bone of the work. Alexander realizes that in this dark environment evil is more powerful than it itself. He prefers irony. Celil Memmedguluzade has skillfully written the relationships between the society and Alexander, which passed through the old rules in the work. The main hero of "Deaths" Alexander, from the beginning to the end of the work, approaches the work of Sheikh Nasrallah with hate and ridiculous approach to the events. The failure of the main hero of the work is that the Alexander, who is wise, wise, “dead” survivors many times superior, cannot find his place in the society and becomes the necessary man in this society.

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