Özet:

In this article, the works of the Turkish writer and thinker Hussein Su have been tried to be evaluated from the point of view of the art philosophy. Hussein is an entrance to how the works of Hussein Water should be dealt with except for immersive acceptance. The works of the artist were studied, compared with Western theories, and a name was placed on his works. This work is not to form or instrumentalize his works, but rather is an idea that is sought to be revealed in order to better understand the purpose or purpose of his works. The assessment of Hussein Su's literary works in terms of art philosophy, because it is a first experiment in this regard, is in an entry message. When this assessment is done, considering the comparative way in which art is classified and addressed in the West, beyond the objectivization of our own literature in the West, our own literature has been initiated. The social-cultural transformations that occurred throughout the world after the industrial revolution have also influenced society’s own literary concepts. Considering the literary effectiveness of Hussein Water, which is opposed to the cultural problems arising from the influence of this imperial effect on our geography and the irfan world, it was necessary to place a name outside of the known streams where his works stood. Starting from this curiousness, in our Westernization adventure, the thought world, literary value and art of Hussein Water, which is located within an environment opposed to what has happened to us and the future with his works, has been addressed philosophically.