Özet:

Namik Kemal is one of the most important poets of Tanzimat literature. He has given successful examples in the field of Nazi and Nazi. In Turkish literature, his works around literary personality were assessed, and he first of all gathered his attention with poetry. Namik Kemal owes his original and first fame to his poems. Namık Kemal’s poems can also be accessed from many literary history, antology, research books and poetry. The Mecmuas are important works that originate from almost every era of Turkish literature. In addition, the memories are beneficial in the determination of the poet’s literary personalities, in the completion of a half-lasting work, in the text comparisons, in the distinction of the poems of the mixed poems more determinantly, in the explanation of the differences in the poem enjoyment of the period. The poems of the poet with the movement from Önder Göçgün, which collects all the poems of Namık Kemal in a book; Namık Kemal's El-Writing Sofia Poetry Book, Namık Kemal's Divânı's Ali Türkgeldi Nüshası, Muallim Cevdet Nüshası, Ali Emiri Nüshası, Fahri Bilge Nüshası, Turkish Historical Institution's Writing Nüshalar, Tevfik Fikret Nüshası. However, as a result of the scientific studies conducted over time, it is possible to find the new poems of the poet in some sources, in addition to Namık Kemal's above-mentioned sources. In this work we will try to introduce the poem in Mecmua No. 13467 in the Konya Koyunoğlu Museum Library and not previously published. We will try to examine carefully whether this poetry we have studied belongs to Namık Kemal as a language-muhteva and as a slope.

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