Özet:

The architect Sinan is a great artist who has given much attention to relativity and simplicity in his works. Except for some exceptions from my request, I have avoided the package in the essay. In his works, especially in the mosques, he also often used the writing in a balanced and indigenous place. He knew the art of line was the best to take advantage of both his spiritual and aesthetic strength. Thus, a new dimension has been added to the strength and strength of the architecture. Some of the architect Sinan works in the mosques are original and some have been added later. The original texts are usually texts on the Chinese with stone/mermermer imprisoned books. Some of them are known and some are unknown. Most of the writings in the Sinan works belong to the most famous, best lines of the time. The time resistance is the weakest writings that are exercised as a pencil on the shell, and they are later renewed. During this repair, some of the original texts were lost in the hands of the unknown. They were chosen in place and observed the place-sensitive relationship. Although in many of the works of the architect Sinan, sheets that carry the signatures of famous lines or some princes are also present, they are in the volume that will be a separate subject of research. This study will focus on aspects such as the architect Sinan’s motivation to write from the important mosques, the architectural and harmoniousness of the books, the value of the writings in terms of line aesthetics and the spiritual atmosphere it gives to the mosques. Also, if there are books that can be linked to them in different structures, they will also be contacted. There will also be controversial opinions about some books.

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