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Sanata Fecr-i Âtî edebi topluluğuyla başlayan Yakup Kadri, ilk dönem eserlerini yine bu topluluğun temaları çerçevesinde işler. Fecr-i Âtî’ nin yazar ve şairlerinin birçok edebî faaliyeti gerçekleştirmek vaadi, dönemde her ne kadar dikkat çekse de ortak bir edebî anlayışlarının olmaması ve Servet-i Fünûn şair ve yazarlarından bir adım ileriye gidememesi topluluğun hızlıca dağılmasına yol açar. Topluluktan ayrılan şair ve yazarların birçoğu Milli Edebiyat sahasında yazmaya devam eder. Balkan Savaşları’ nın etkisiyle yazarda millî şuur güçlenir. Yazarın, Fecr-i Âtî edebî topluluğu ile Millî Edebiyat Dönemi’nde yazmış olduğu iki hikâyesinin; tema ve dil açısından değişimini, dönemin sosyal ve siyasal olayların ruhunda bıraktığı izleri ve ona göre şekillenen kalemi bu bildiride incelenmiştir. Yazarın Fecr-i Âtî’ de yer alırken yazdığı “Bir Kadın Meselesi”nde konu, topluluğun sanat anlayışına paralel, bireyi anlatırken Milli Edebiyat Dönemi’nde yazdığı “Köyünü Kaybeden Kadın” adlı hikâyesinde ise Yakup Kadri’nin bir önceki devre göre tarz değişimi ile topluma yakın bir anlayışla yazdığı görülür.
As a result of this, it is important to note that, in the first instance, it is necessary to ensure that you have the right to obtain the right to obtain the right to obtain the right to obtain the right. Fecr-i Âtî's promise to carry out many literary activities of the writers and poets, the fact that they have no common literary understanding in the period, even though they attract the attention, and that they cannot go a step further from the Poet-i Fünûn and the writers, leads to the rapid dissolution of the community. Many of the poet and writers who have left the community continue to write in the National Literature Field. The impact of the Balkan Wars will strengthen national awareness in the writer. The two stories the author has written in the Fecr-i Âtî literary community and the National Literary Period; the change in the subject and language perspective, the traces that the social and political events of the period have left in the spirit and the accordingly formed pen in this statement. The author’s “A Woman’s Question” which he wrote in Fecr-i Âtî is the subject, parallel to the art understanding of the community, in the story “Woman Who Lost Her Village” which he wrote in the National Literature Period, while in the story “Woman Who Lost Her Village” by Yakup Kadri, according to the previous circle, has been written with a style change and a close understanding of society.
Beginning to art with Dawn of Future movement, Yakup Kadri has his works on theme of that movement. Authors and poets of this movement has a lot of goals to reach make it a notable move for literature, but not having a specific style and not being able to be better than New Literature Movement’s artists leads to being apart for Dawn of Future movement. Many artists keep on having works with National Literature Movement. Nationalism becomes primary due to Balkan Wars. Both of these stories in the article is discussed about theme and language style change, the effects of political and social issues, and the author’s writing style in terms of Dawn of Future and National Literature Movements characteristics. A Woman Issue, in Dawn of Future Movement, is parallel in terms of topic and literary view and it is about individualism whereas The Woman Losing Her Village, in National Literature Movement, The author is closer to society and the writing style is seen.
Field : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Journal Type : Uluslararası
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