Özet:

The film Noir is a translation of the economic, cultural and political difficulties and incompatibilities in the social structure that emerged in the 1940s. The subject is a dark picture of a world in which the struggle, the intricate and the murder are normalized in the uncertainty of a number of forces. In this kind of films, the hardness of the dialogue flow, the visual narrative language dominates mainly night shoots, dark shadows, sharp lighting contrast, curved camera pain. In the films, the characters tell the types of women who read what they know, who live alone and who can establish limited relationships with women who are often the source of misfortune. The transformation from Noir to Neo Noir is a state that develops, matures and emerges over time. What is the result of this social transformation? What are the main characteristics? How did Neo Noir reflect these characteristics in its content? When searching for answers to such questions, it appears that the 1960s and 1970s were directly linked with America in the context of causal relationships. Moral structures in society, the assassination of US President J. F. Kennedy, the assassination of the black leader Martin Luther King, the rise of conservation, student movements, feminism, sexual revolution, anti-militarism have influenced the rise of Neo Noir films. In this study, the new black film (neo noir) period after the classical black film period, discussed the changes in its narrative structure. For this purpose, the film has also been studied from the classic black film (film noir) to the new black film (Neo Noir) in the context of the "Point Blank" film. In the film review, the changes in the space, character and iconographic elements were observed. Keywords: Cinema, Film Noir, Neo Noir, Story, The Way Without a Return, Point Blank

Özet:

Film Noir is the transfer of economic, cultural and political problems and inconsistencies in the social structure, which emerged in the 1940s. The subject is the depiction of a dark world in which the struggle, intrigue and murder become ordinary among some ambiguous forces. In the films of this genre, the intense dialogue flow, visual narrative language dominated by night shots, dark shadows, sharp lighting contrasts, and oblique camera angles are common. In the films, characters depict the types of people who have their own way, live alone, and often establish limited relationships with women who are the source of their misfortune. The transformation from 'Film Noir' to 'Neo Noir' is a phenomenon that develops, matures and emerges over time. What are the social transformations that led to this phenomenon? What are its characteristics? How did these features reflect Neo Noir on both form and content? As an answer to the aforementioned questions, it is seen that the relationship between the USA in the 1960s and 1970s is directly related to each other within the context of cause and effect relations. The moral structure of the society, the assassination of the President of the USA, J. F. Kennedy, the murder of the African-American leader Martin Luther King, the rise of conservatism, student movements, feminism, sexual revolution, anti-militarism and similar social developments were effective in the rise of Neo Noir films. This study discusses the neo noir period after the film noir period and the changes in the narrative structure of the neo noir. To this end, the movie Point Blank has been examined within the context of the transition from the film noir to the neo noir in cinema. The changes in space, character and iconographic elements are examined in the film analysis.

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