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Medeniyetler savaş, göç, ticaret, sanat gibi nedenlerle birbirleriyle sürekli temas halinde olmuş ve kültürel birikimlerini birbirlerine aktarmışlardır. Pişirilmiş toprağın üzerine süslemeler yapılıp sırlanmasıyla oluşturulan çini, medeniyetler arasında gerçekleşen sanatsal etkileşimlerin en önemlilerinden biri olmuştur. Çin’de gelişen bu sanat, Doğu’dan başlayarak hemen hemen tüm Asya ve Avrupa seramik sanatına etki etmiştir. VIII-XII. Yüzyıllar arasında en parlak çağını yaşayan İslam medeniyeti, Asya ile Avrupa arasında köprü vazifesi görmüştür. Pers, Yunan, Bizans etkilerini bünyesinde barındıran Türk çini sanatı, XVI. yüzyılda İznik çinileriyle zirveye ulaşmış, Rönesans Avrupa’sı seramik sanatını etkilemiştir. Doğu’dan Batı’ya gerçekleşen etkileşimle birlikte Batı sanatı XIX. yüzyılda Osmanlı çini sanatını etkilemiş, mimari yapılarda ve çini eşyalarda kendini göstermiştir. Bu çalışmada farklı medeniyetler arasında gerçekleşen etkileşimler geniş bir zaman aralığı ve coğrafya gözetilerek ele alınmıştır. Birçok döneme ait çini eserler teknik, dekor açısından incelenmiş, dönemler arası gelişen bezeme kompozisyonları birbirleriyle karşılaştırılmış, sanat merkezlerinin birbirleriyle olan etkileşimi, tarihi ve sanatsal gelişimleriyle ortaya konulmaya çalışılmıştır.
Civilizations have been in constant contact with each other for reasons such as war, migration, trade, art and have transferred their cultural accumulations to each other. The chini, which was created by decorating and scattering on the cooked soil, was one of the most important artistic interactions between civilizations. This art developed in China has influenced almost all Asian and European ceramic art, starting from the east. of VIII-XII. The Islamic civilization, which has lived its brightest age between centuries, has seen it as a bridge between Asia and Europe. Persian, Greek and Byzantine influences in Turkey, XVI. In the century it reached the peak with the Chinese, the Renaissance Europe influenced the ceramic art. With the interaction from the east to the west, the western art is XIX. In the century, the Ottoman influenced the Chinese art, showed himself in architectural structures and Chinese objects. In this study, the interactions between different civilizations were addressed with a wide range of time and geography observation. The Chinese works of many epochs have been studied in the technical, decorative perspective, the period-inter-period developing compositions have been compared with each other, the interaction of the art centers with each other, historical and artistic developments have been tried to be revealed.
Civilizations have always been in contact with each other for reasons such as war, immigration, trade and art and have transferred their cultural backgrounds to each other. The ceramic, made by decorating and glazing the heated clay was one of the most important artistic interactions between civilizations. This art, which developed in China, affected almost all Asian and European ceramic arts starting from East. Islamic civilization, which lived its most brilliant era between VIII and XII centuries, served as a bridge between Asia and Europe. The Turkish tile art, which contained Persian, Greek and Byzantine influences, reached its peak in the XVI century with Iznik tiles and influenced Renaissance European ceramic art. With interactions occured between East and West, Western art influenced Ottoman tile art in XIX century and it was seen on architectural structures and portable ceramics. In this study, the interactions between different civilizations have been discussed with a wide time interval and geography. Tile products of many periods have been examined in terms of technique and decor, decoration compositions of different eras have been compared with each other, the interaction of art centers with each other has been tried to be revealed with their historical and artistic developments.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Dergi Türü : Uluslararası
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