Abstract:

In cinematographic narrative which is mainly considered as a visual art the sound dimentions has always been ignored. The reason for that is the mentality of considering the sound is an element attached mechanically to visual one; but cinematographic creations having their narrative (representation and expression) quality possess the narrative building seen and evaluated as a sound art. In filmic texts, the sounds and images by attaching mutually the dimentions of their specific senses on each other bring about sense multiplication, even sometimes play a key role. In cinematographic narratives that are installed on relative balance which is in a complex interaction with the relations between image and sound, the sound are structured through 3 planes as being structural, functional and semantics. In this study, taking the absolute spatial and temporal dimentions of functional plane, the way of audiovisual setup is examined. How spatial and temporal relations of sounds were build u

Keywords: