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  Citation Number 1
 Views 80
 Downloands 21
Yarım Kalan Bir Hüsn ü Aşk Naziresi: Mîr Mehmed Dâniş’in Gülşen-i Dâniş Mesnevisi
2016
Journal:  
Turkish Studies
Author:  
Abstract:

Genel olarak zemin şiir veya model şiir adı verilen bir şiirin vezin, kafiye gözetilerek benzerinin yazılması şeklinde tanımlanan nazire, klasik Türk şiirinde işlevselliğini sürekli koruyup devam ettirerek zamanla bir gelenek hâline gelmiştir. Etkili bir şiir öğrenme metodu olan nazire yazma / söyleme, edebiyat tarihimizin hemen her döneminde, farklı nazım şekilleriyle varlığını devam ettirmiştir. Gazel ve mesnevi nazım şekilleri, nazirecilik sahasında diğer şiir çeşitlerine göre daha fazla ilgi görmüştür. Bununla birlikte kaside, terci-bend, terkib-bend, murabba, müstezad gibi nazım şekilleriyle yazılmış nazire örneklerinin de büyük bir yekün oluşturduğu görülmektedir. Bir şiire / manzumeye nazire yazılabildiği gibi mesnevi,

Keywords:

A Half-Returning Hüsn U Love Nazareth: Mîr Mehmed Dâniş's Smile-i Dâniş Mesnevisi
2016
Journal:  
Turkish Studies
Author:  
Abstract:

Generally, a poem called the ground poem or model poem has become a tradition over time, retaining and continuing its functionality in the classical Turkish poem, defined as a poem that is written in the form of a poem that is called the ground poem or model poem, and that is defined as a poem that is written in the form of a poem that is written in the form of a poem. Nazi writing/speaking, which is an effective method of poetry learning, has continued its existence in almost every period of our literary history, in different forms of poetry. The Gazel and the Mesnevi Nazim shapes had more interest in the Nazi field than other poems. Therefore, it appears that the Nazire examples written in Nazim shapes such as kaside, prefer-bend, terkib-bend, murabba, müstezad, and many other forms of the Nazire are also a large edge. As a poem/manzume can be written to the Nazire,

Keywords:

An Uncompleted Husn U Ask Parallel: Mîr Mehmed Dânis’in Gulsen-i Dânis’ Masnavi
2016
Journal:  
Turkish Studies
Author:  
Abstract:

Generally, parallel poem which is defined as writing the same rhythm and rime with the model or ground poem, is became a tradition within the time by maintaining and sustaining permanently its presence. Writing/singing parallel is an affecting method for learning poetry in all periods of our history and sustained with different genres of poetry. Gazelle and masnavi attracted more attention than the other poetry genres for parallel domain. On the other hand some poetry genres such as terci-bend, terkib-bend, murabba, müstezad consist a large amount for written parallel poems exemples. As it can be written for a poem parallel can be written also for a whole masnavi,

Keywords:

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Turkish Studies

Field :   Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri

Journal Type :   Uluslararası

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Turkish Studies