Abstract:

There are many things on definition, emergence and functions of the art to be said. In addition to various assumptions on the emergence of the art, there are different definitions and explanations on the definition and functions of the art due to its characteristic of relativity. However, there are systematic and consistent views on the matter of aesthetic and it is persistently defended that the art is a unique field. Thus, it is an undeniable reality that the art responses a need of a spiritual dimension of the human. The philosophical anthropology states that each society has a unique perspective of life and it becomes visible along with the spiritual existences which are the success of the human. This study shortly considers the assumptions on the emergence of the art and object analyse of the ontological philosophy to be able to explain the components which are required in a qualified art work. Since very early existence of the humanity, a very strong fight to survive has been given. Despite no difference between primitive humans and modern people in terms of physiological needs such as hunger, thirsty, shelter, etc, the psychological needs of people in modern era are as important as basic need, today, even more. In this context, the progresses of the civilisations and their traces in the scene of the history are important since they indicate the development in the identity of the humans. That is to say that the primitive tools reaching today from the past, drawings on cave walls, first fields of settlement and others are indicate how we developed when we compare them with current means of production, art and lifestyles.

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