Özet:

The summary In addition to Leonardo da Vinci’s art value, identified with the humanist ideals of the 16th-century Renaissance classism, the artwork “La Joconde” or more known as “Mona Lisa”, which increased and iconized its popularity with the news about the mystery of the painting, has been an inspiration for many artists, but in modern and postmodern periods it has been attempted to reduce its value by parodic reproductions. When the causes of this situation are studied, the effects of the 18th century Lighting project have been observed, and all kinds of change from science to art have been experienced, and every field of human life, including art, has been reorganized, and then this phenomenon has become a rebellion. In this context, the outstanding language of perfectionism, perfectionism and aristocracy, which dominates classism, was rejected in modern times, and the classical art practices were counted out. By the twentieth century, many thinkers rejected the promises of the Lighting Project, questioning the ideology of modernism feeding the Lighting Project. In this period, which is called late modernism, the system’s review and questioning as a whole has brought new possibilities to the art. Modern artists have rejected the pre-created outstanding aesthetic rules, which had to turn to an anarchism-fooded movements, in order to destroy the capitalist system based on inequality of the time they were in. After the postmodern period, II. The new political and social movements after the World War, especially the Late-Capitalism, lead to new breaks in the consciousness and thought structure of the West. During this period, the chaotic structure of the world reflects as new challenges to politics and art. Postmodern aesthetic thought, by disrupting the captivity of modernity, unicity-originality, is engaged in the transformation of art history. By copying every work in the past, the originality principle, which is the backbone of modernism, is destroyed and rejected. In this context, one of the postmodern artistic strategies, the "Fundament" is often beginning to be used as a strategy that undermines the respect of the originality of the postmodernists. In particular, the artists do this through the re-produced images of Leonardo da Vinci's "La Joconde" or "Mona Lisa", the masterpiece of classism which they believe best reflects the high and excellence culture. Thus, by challenging the continued construction of art since classicism, they present a new proposal to art. Leonardo da Vinci's work "La Joconde", which is the contents of the research, has been studied from the past to the present in the historical process of art and has been addressed through a wide range of sources such as reproductions, books, texts, articles and dictionaries that are presented in parody. The findings have been revealed within the sections. At the same time, so that the subject of the research can be dispersed, the sample images are given accordingly by equating the subject. A general assessment of the subject that forms the study was revealed in the result section.