Özet:

The XIX. From the first half of the century, the Arab theatre, which was influenced by Italian and French theatres, began to gain importance by the strengthening of the Arab sense of independence in the middle of this century. Mârûn en-Nakkâş, who was considered the father of the theater, for commercial purposes continuously travelled to France and Italy, returned to his country and wrote three comedy games and scored them very soon. The other important name of this stream in Syria, which began in the leadership of en-Nakkâş, was undoubtedly Sa’dullah al-Bustani. Al-Bustani, who signed important works with a group of talented young people, was followed by important playmakers such as Muhammad Ismail Basal. In this work, after giving a general information about the Arab theatre, we will refer to the development of this species in Syria. We will then try to examine the theatrical play of Muhammad Ismail Basal, who has an important place in the Syrian theatre, named "Nucûmun biekalli'l-Ucûr" (Low-Payed Stars) in terms of shape and greatness.

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