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Halit Fahri Ozansoy’un Gülistanlar ve Harabeler adlı şiir kitabı eski harflerle basılmış ancak günümüze kadar Latin harflerine aktarılmamıştır. Bu eserde şairin bahçe imajları ve renklere yüklediği anlamlar saklı inciler gibi gizli kalmış ve günümüze kadar üzerinde inceleme yapılmamıştır. Ozansoy bu eserinde çeşitli renkleri muhtelif bahçeler içerisinde tasvir etmiştir. Bu tasvirlerinde hayal gücü, imgelem ve çeşitli duygular bir arada düşünülmüştür. Şairin hayal dünyasını renkler ve bahçe tasvirleri oluşturur. Bu bahçede sevgili ile olan hatıraların renklerle süslenen şekilleri şairin hayalinden şiirin mısralarına taşınır. Hayal ve renkler bahçe ile birleşerek sevgili ile birlikte tasavvur edilir. Bu tasavvurlar bahçe imajlarını ve renklerin bahçelerde anlam kazanışlarını oluşturur.
Halit Fahri Ozansoy's poem book "Gülistanes and Harabeler" was printed with ancient letters but has not been translated into Latin letters until today. In this work the poet’s garden images and the meanings that he puts on the colors remained hidden like pearls and has not been examined until today. Ozansoy in this work depicts various colors in various gardens. In these paintings, imagination, imagination and various emotions are thought together. The poet's fantasy world is formed by colors and garden paintings. The shapes of the memories that have been decorated with colors in this garden are transferred from the poet’s dream to the poet’s poems. Dreams and colors are drawn together with the loved one by combining the garden. These drawings create garden images and meaningful gains of colors in the gardens.
Halit Fahri Ozansoy’s poetry books of Gülistanlar ve Harabeler printed with old letters but not transformed to the Latin alphabet until now. In his work, garden images and colors which loaded special meaning of poet had not known as hidden pearls and no research had been made on this work till now. In his work, Ozansoy has described variety of colors in different gardens. Imagination, imagery and various emotions had been made with one accord in his depictions. The colors and portraits of garden form the poet’s imagination. Colorful memories in the garden which experienced in a darling moves from poet's imagination to the verses of the poem. Imagination, colors and gardens are described with darling. These imageries compose the garden images and semantic change of the colors.
Field : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Journal Type : Uluslararası
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