Abstract:

The XVII. The second half of the 18th century. Abdurrahman Rahmî Efendi, who lived in the first quarter of the century, was born in Istanbul. Unknown date of birth, Rahmî, Kevkeb Hafiz Mehmed Efendi made linearity by learning the sülus and nesih writings, and many poet's divinity with a beautiful writing and imla. After his assignment, the state's daily vukuat book was kept in the rûznâmçe-i previously catipliked in the pen with the Hevâyî mahlas and took a Divân pen in the style of hezl; but because he was exposed to the reaction of his close friends, he repented to the end of his life and stopped writing such a poem. The poet, who later entered Mehmed Emin Tokadî Efendi from the Nakşibendî tarikatı sheh, died in 1127/1715 in Egypt. The poet, who used the Hevâyî mahlas in his serious poems, is well known in our literature. The fact that the Mizahi poems are in the volume to form a Divân and the fact that this Divân is found in many nuts in the writing works libraries is an indicator of the interest of the people in such manuscripts. This situation has prepared the ground for the place of the Poetry of Hevîîîî mahlasî, and those who are Rahmî mahlasî remained in the second plan. Despite this, the poet has shown that he is an artist who knows the tradition in his poems that he received with the Rahmî mahlas, the classical literature's patterns and masmunes. But the poet has not had a righteous divine, and the poems that he wrote with this righteousness have made it unlikely to be brought to the face. According to the study, there are two unprecedented poems of the poet. In this work, two gazels will be presented in a poem of Rahmî.

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