Özet:

Language or software are the efficient tools for designing and spatializing the structure in the art of 21st century information age. Composition, with its structure of overcoming its object, often converts into the audience itself. The language of the composition, in other words the software; forms the perception and mind of the audience, while removing the audience from being a passive receptive, transforms to an active composition, a participant. As the audience becomes a concurrent part of the composition, it also becomes a part of the transforming composition [software] as a micro space in its existing coordinates. Composition as chronotopes, where real world, history and geography transpires; establishes the temporality and mind with software (language), while enabling the layered and transient integrity with dynamic and variable fragments, along with the audience. With the 20th century all these current arguments have deeply transformed the expression of art, as a result of context, notion and perception which establish the composition and with new mediums. This change has affiliated the positivist specialty fields like IT and software engineering with art; extending the tools and space of art with virtual and real integrity.

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