Özet:

In Turkish literature, the relationship between the writer and his work is constantly changing with the influence of many factors, including the flow of ideas.  This excellence, which reduces the authority of the writer, therefore the critic's authority over the literary work, is described by Roland Barthes as "the author's death". The literary work is considered as the development in the creation of the writing effort that is moved from the idea of the writer who thinks, planned and writes the story of the text and the character to the simultaneous writing moment.  In Nazan Bekiroğlu's first two parts of his work, named Nun Stories, the character of the story written by the narrator wants to become a modern writer. He wants to write by moving his work from his own world, turns the story and the writer's relationship into a problem. The reader of the line's traditional literature and the attempt to leave the main ground that feeds this literature is stumbled by both the reader of the text and the heroes in their own stories. In this study, Bekiroğlu’s first work will focus on the breakdown of the traditional narrative-writer union in the Nun Tales and the transformation of the transition to the modern narrative into a dialogic element.