Özet:

The Persian language and literature, with its rich history, its wide area of influence and its various dimensions, has an important position in the world literature, especially in the Eastern literature, with its close and neighboring Turkish language and literature, has been closely related since the classic periods and has gained an original place with its influence on divan literature. Today, Modern Fars poetry shows differences in content, shape and style, language texture, perspective, expression style and structural terms with classical poetry. The foundation of modern Fars poetry was put by Nimâ Yuşic. With a unique courage, a new thought and perspective, looking at poetry from a different perspective, Nima has achieved great success in changing the style of poetry with different interests, different incentives, completely different new expressions, between new words, new concepts, new words and expressions. All these innovations eventually forced him to redirect by breaking his old poetic patterns and styles and exceeding their boundaries. Those new ideas, new concepts, and mosaics; new images, new atmosphere, new frameworks; a new language and a new style of expression. In fact, it was so, and with the poems of Nimâ and the new realistic poem of today, it took its first step, and it was born and developed using the criteria and frameworks it proposed. Of course, on the edge of this new style, the classic Fars poetry on the one hand continued its way in its original form. In this study, the changes made by Nima Yuşic in modern contemporary poetry were technically addressed and the changes made by the poet on the thousand-year-old rooted structure of the Persian poetry were investigated.

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