Köroğlu Destanı is an epic told in a very wide geography by Turks and a Turkic communities who have close relationships with Turks. Köroğlu is a historical personality but turned into an epic hero in oral culture. The events and circumstances happened in reality told in an extraordinary way to create this epic story. The epic has many identic and similar texts. Köroğlu Destanı has been the subject of theatrical plays, operas and cinema, etc. First, in Azebaijan, Köroğlu's opera was composed by Üzeyir Hacıbeyli and it was staged as a five-act opera on April 30, 1937 in Baku. Another opera of the same name was composed by Ahmet Adnan Saygun and staged in three acts in June 23, 1973. The Köroğlu epic was adapted into cinema in 1960 by director Hüseyin Seyidzâde in Azerbaijan and in Turkey in 1968 by director Atıf Yılmaz. Ahmet Kutsi Tecer wrote a play called “Koçyiğit Köroğlu” and this was published in Ülkü magazine in 1941 and staged on Turkish State Theatres in 1949. Tecer chose mythical Turkish beliefs as his subject in Koçyiğit Köroğlu. This study reviews Ahmet Kutsi Tecer’s perception of Köroğlu Destanı and how he reflected his perception in the play he wrote by analyzing the content of Koçyiğit Köroğlu.
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Alan : Filoloji; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Ulusal
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