Geçmişten günümüze sinemasal anlatılar, sundukları öykünün taşıyıcısı olan kahramanlar/özneler aracılığıyla geniş kitlelere ulaşır. İzler kitlenin ilgisi ve dikkati, inşa edilen kahraman konumundaki özneler aracılığıyla çekilir. İzleyici, anlatıda önemli bir eyleyen olan kahramandan hareketle özdeşlik ilişkisini başlatır. Klasik, çağdaş ya da postmodern anlatılarda kahramanın inşasıyla ilgili durum farklılık gösterse de yine de anlatı içinde aranan en önemli eyleyen, öznedir. Bu eksende kahramanların özne konumları açısından irdelenmesi sinemasal dünyayı/yolculuğu anlamlandırabilmek adına önem taşır. Bu bağlamda bu çalışmada özne konumundaki kahramana ve öznenin izlencesini kuran, başlatan ve ileriye doğru devindiren yitik/ arzu nesnesine odaklanıldı. Özneyi özdeşlik kurulabilecek ideal egoya/doğruluk öznesine dönüştüren unsurlar da bu çalışmada ele alınan bir diğer önemli başlıktır. Değişen özne konumunu anlayabilmede önemli potansiyeller taşıdığı varsayılan Başkalarının Hayatı (The Lives of Others) filmi bu çalışmanın araştırma nesnesidir. Araştırma nesnesi konumunda olan bu film anlatısı özne konumu açısından A. J. Greimas’ın “Eyleyensel Örnekçe” ve “Dörtlü Şema” kuramı bağlamında çözümlendi. Benlik kahramanın izlencesini, değişimini ve dönüşümünü anlamak adına önem taşıyan bir başka unsurdur. Bu bağlamda göstergebilimsel yaklaşımın yanı sıra E. Goffman’ın “Dramaturjik İlkeleri”nden ve bu ilkelerden hareketle ortaya koyduğu mikro-sosyolojik kavramlarından da çözümleme sırasında yararlanıldı.
From the past to the present, film stories reach large audiences through the heroes/subjects who are the carrier of the story they offer. The traces are attracted by the interest and attention of the audience through the objects in the position of the built hero. The spectator begins the identity relationship with the movement from the hero who is an important act in the story. In classical, contemporary or postmodern stories, the situation in the building of the hero is different, but it is still the subject that is important in the story. In this axis, the role of the heroes in terms of their substantial positions is important to understand the cinema world/the journey. In this context, this study focused on the hero in the position of essence and the object of desire that created, initiated and moved forward the impression of essence. The elements that transform the ego into the ideal ego/truth essence that can be established in identity are also another important topic discussed in this study. The presumed Life of Others (The Lives of Others), which has significant potential to understand the position of the changing substance, is the subject of this study. The story of this film, which is in the research object position, was resolved in the context of A. J. Greimas's "Elegance Example" and "Fourth Scheme" theory in terms of substance position. Self is another element of importance for understanding the impression, change and transformation of the hero. In this context, the indicative approach was also used during the analysis, as well as E. Goffman’s “Dramaturgic Principles” and the micro-social concepts he moves out of these principles.
From the past to the present, cinematic narratives reach wide audiences through heroes/subjects who are the carriers of the story they offer. Traces of the interest and attention of the audience are drawn through the subjects of the heroic position. The audience starts the relationship of identity from the hero who is an important act in the narrative. Classical, contemporary or postmodern narratives differ in the situation regarding the construction of the hero, but it is still the subject of the most important action sought in the narrative. In this context, the examination of the heroes in terms of their subject position is important in order to make sense of the cinematic world/journey. In this context, the focus is on the hero of the subject and the object of desire that established, initiated and devised the subject’s follow-up. Another important topic discussed in this study is the elements that transform the subject to the accuracy subject to be identified. The Lives of Others film has been analysed in the context of The Actants of Narration” and “Narratives Syntax: Quartet Scheme”. The self is another important element in the name of understanding the hero’s follower, his change, and his transformation. In this context, as well as the semiological approach, Goffman is another point of view used during the analysis of the micro-sociological concepts that he formulated based on the dramaturgy principles.
Alan : Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Ulusal
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