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  Citation Number 6
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ARİSTOTELES’TE POETİKANIN DOĞASI VE SINIRLARI
2013
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Abstract:

Aristoteles’te sanatsal yaratmanın doğası, insanın “anlama ve bilme” arzusundan kaynaklanır. Sanat ve sanatsal yaratı, tekniğin olanağı ve düşünce sayesinde gelişerek, yetkinleşir. Bu üretimde, varlıksal bir hakikat açığa çıkar. Bütün var olanlar gibi sanat eseri de “madde ve form”a dayanır. Her sanat eseri, belirli bir materyalin almış olduğu bir “form” olarak düşüncenin de taşıyıcısıdır. Sanat eserinde, insan düşüncesinin ve yaratıcılığının doğaya bir katkısı söz konusudur. Poetika kuramına göre sanat, var olan malzemeye yeniden şekil vererek, onu kendi iç yasalarına göre akılsal olarak yeniden yaratma etkinliğidir. Böylece, sanatın entellektüel içerik yanında epistemolojik yapısı da ortaya çıkar. Aristoteles sanat kuramı, köken olarak Platon’un Mimesis kuramına dayansa da yapısal olarak değişime uğratılır. Böylece Aristoteles’in sanat kuramı, çok farklı bir noktada ilerler vesonunda gelmiş olduğu yer açısından son derece ileri bir sanatsal üretim kavrayışına ve sanatsal kategorilere ulaşarak Platon’un Mimesis Kuramı’nın sınır çerçevesini değişime uğratır

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The nature and scenes of the poet in Aristotle
2013
Journal:  
Dört Öge
Author:  
Abstract:

In Aristotle, the nature of artistic creation is derived from the desire of man to "understand and know". The art and art creation, through the possibility of technology and thought, develops, becomes capable. In this production, an existential truth is revealed. The artwork, like all that exists, is based on "matter and form". Every work of art is the carrier of thought as a "form" that a particular material has received. In the work of art, it is a contribution of human thought and creativity to nature. According to the theory of poetry, art is the activity of re-creating the material, by re-forming the existing material, according to its own internal laws. Thus, along with the intellectual content of the art, the epistemological structure is also revealed. Aristotle's theory of art is based on Platon's Mimesis theory, but it is structurally changed. Thus, Aristotle's theory of art changes the limit framework of Platon's Mimesis theory by achieving an extremely advanced artistic production concept and artistic categories in terms of where it has progressed at a very different point.

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Dört Öge

Field :   Sosyal, Beşeri ve İdari Bilimler

Journal Type :   Uluslararası

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Article : 281
Cite : 520
2023 Impact : 0.091
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