Abstract:

This paper prepared with the basis of The Turkish cinema favorable terrain to find how expressions reveals chage of economic, social, political and cultural life at societal level and the new Turkish cinema’s sectoral growth, occur second half of nineties, and reason of rise in interest reveals as a proplem whitin the context of sociological views in this paper .In the nineties, died called, but new Turkish cinema enlived again with ‘Eşkıya’ Yavuz Turgul made movie, in the context of written thesis(dissertations), articles, boks, seminars it has become much debated issue after 2000s, and still is also discussed. On the other side, the number of spectators , the local film numbers, the increase in the amount of state support also occurred in the revival of Turkish cinema and evidence of a rise in interest in nature. However, in the context of these studies about new Turkish cinema there has not been a comprehensive sociological analysis. This humble study aims to fill the gap at this pointIn the geleral framework new Turkish cinema defined particularly and definitions of expressing this concept is presented. With following sections, new sectoral increase that occurred in Turkish cinema and its sociological reasons for the projected rise in interest headings and numerical study based on the data expressed and study completed

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