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A considerable part of an opera singer’s repertoire consists of operatic arias and ensemble pieces. By reason of the form of the genre, the arias and the ensemble pieces in the operas are nearly always accompanied by an orchestra. In the occasions which the accompaniments are not possible to be made by the orchestra, like courses, workshops, examinations, competitions or recitals, the accompaniments are made with the piano. In this article, it will be touched on some suggestions, playing techniques and informations about the interpretation that should be made by the accompanist, to make an opera singer -who is a student or in his/her professional life- felt the orchestral atmosphere.
Alan : Eğitim Bilimleri; Fen Bilimleri ve Matematik; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Uluslararası
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