Abstract:

In Turkey, local television series, which are the essential part of the evening hours in society, are presented with text content that enables the capital-populist system to live in recent years. The characters in television series are presented to the audience by stereotyping with the general passing characteristics of the identities in society; this situation, often reflecting the social reality, is addressed in its essence with an unilateral perception, is represented by processing through the characters to their texts and is consumed at certain times in front of the screen. The call to the society by re-influencing the culture of the series from the culture in which the society is feeding, and by creating and reflecting the other cultures, it also brings the representation to the society. In the phase of understanding the text content presented in the series, it appears that the society is trying to make itself legitimate in society by identifying itself with one of them through the characters created by fictional-subjective discrimination, and therefore the "other" identities are passive under the roof of dominant identities. When doing this, it is also an important emphasis in the study that humor is presented in place of hate and violence, using the elements of comedy in television. In this context, the purpose of the study is represented by the social identities of the characters in the series "False World" where different cultures are located. For this purpose, the series was analyzed in the framework of integrity with the visual-hearing and text content of the created identities, using the indicative method of analysis. The study found that the series based on myths showed a series of characteristics that repeat and support the ideological re-production, while doing so, it also used cultural values as a element of humor in side sense.

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