Abstract Mustafa Sabri Efendi, who is raised by Harput, one of the important history, culture and art centers of Anatolia, is a one of the Divan poets. In his portraits he received a strong poetry technique, with his own life, it is possible toreach a great deal about the cultural climate of Harput and Elaziz a century ago and the level of classical poetry at that time. Mustafa Sabri Efendi’s gazelle, wetry to explain the following, a poem where the desire to abstract from material-human relevance and turn to Allah is processed as a theme. It is known that there are many poem in our Divan literature that have been received on this feeling. We can say that the gazel of Mustafa Sabri Efendi is interesting, his meticulousness, sincerity, enthusiasm and fluent speech. Apart from Istanbul, which has been the center of art and literature for centuries, there are many great artists in Anatolia. However, it is also known that these artists are faced with the fate of being for gotten over time. Taking these into consideration, wesh ould metni on that we have done this commentary work in order to contribute to the updating of our intellectual ssuch as Harputlu Mustafa Sabri Efendi.
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