Abstract:

The own In films in which the classical narrative language is dominated, the audience loses the ability to think critically because the event organization progresses through one line. In the film, the person who is pursuing the characters that are ideally created, identify with them, is sad, excited, an exciting audience, in a viewing action that accepts what is given. But by breaking all the rules of the classical narrative, the narrative structure that leads the audience to the process of thinking and questioning in front of what they see is modernist, contemporary and constructive. It has been the French New Wave stream and members that made the modern narrative cinema heard by the whole world. The French New Wave members, who make the narrative structure complex both in terms of content and shape, have failed to show the event line on a straight line in their narratives so that the audience does not capture the continuity of the traditional narrative structure. Jean-Luc Godard’s innovative cinema aesthetics, one of the most influential names of the French New Wave stream, is traced from the epic theatre of the aesthetic theorist Bertol Brecht. In this study, Jean Luc Godard's 1966 film "The Man/Woman" was studied from the Brechtyen perspective. In this film Godard destroyed the process that led the audience to identity and catharcism using episodic narrative, outsourcing effects and spectacular acting. The film is resolved in terms of these three aesthetic elements.

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