Özet:

Folk songs are one of the main important types of folk poetry. Folk songs, contained within richness of Turkish oral culture for centuries, have reflected our people’s love, liking, happiness, sadness etc. Folk songs both indicate variety with idiocratial melodies and show distinctness in terms of theme and form. Also, folk songs can be both anonymous and personal. In folk songs, all circumstances that the human can experience in the daily life have been treated as theme. Of course, there are critical approaches that are viewpoints about daily life in folk songs. In folk songs, Konya’s folk songs have idiocratial and different position. In this paper, culture of criticism have been analyzed in Konya’s folk songs broadly and function of folk songs have been attempted to be revealed on causes, types, verges etc. of folk songs. At this point, specific to Konya’s folk songs, main subjects that include critical point of view have been revealed with examples. Especially, it has been seen that criticisms are in majority about several aspects of marriage. Also, people around the human have been cricitised such as the darling, mother-in-law, neighbour, intimates, enemy etc. as it can be seen in the examples. In addition, illness, death, unexpected situations have been cricitised in folk songs.

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