Abstract:

Walter Benjamin's article "Art in the Age of Mechanical Reproduction", which he received in 1935, expresses the transformation that technological development has brought about in the works of art. Benjamin's point is that in the newage when the culture industry becomes dominant, the work of art becomes easily reproducible and that these reproductions are lost historically and semantically. Nowadays, as we have witnessed, art works are being reproduced with technical possibilities at a much higher level than Benjamin's time. In this work, the possibility that the auras lost by mechanical reproduction of the work of art can also be won through technical possibilities will be emphasized. 360 degree images shared by the works of art exhibited or 360 degree views and cameras that transmit it live on the network will be the answer to the question of whether to be a guest of the place where the work is exhibited and as a new method of keeping the lost atmosphere watching.

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