Özet:

Republic of Turkey in modernist literature. The 1950-year-old narratives, which emerged in the same periods with the new poetry movement and with almost the same esthetic concerns, were influenced by the flow of surreality and existence; they developed a new and modernist conception of subjectivity, in which more inner reality was centered instead of events. In this new understanding, the story of De-mir Özlü, who works and is considered an important name of existing literature in modern Turkish literature, named "Bunaltı" to his first story book, from his name to his famous novel, Mr. Sartre's Bulantı, appears to be clearly interacted/dialogged. Antoine Roquentin, the narrator of the novel Bulantı, which Sartre has written to transmit the philosophy of existence to the wide crowds, and the unnamed narrator of the story of Özlü’s “Bunaltı”, in these stories, which are written in the form of daily, are embraced as an existence opportunity to write and develop a philosophical speech through the stories where the event becomes less important. Both autobiographical texts provide long and intriguing monologue an-tracking forms, the subject of personal existence disorder they take to the center and clear intertext characteristics in terms of speaking forms. In this article, the thematic background of the works in question is relatively outdoors and focused on the philosophical similarity of speech that contributes to the formation of structures in the works by attracting attention to the interaction that occurs in more narrative forms.

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