Abstract:

“Aesthetic of design and objects at cinema” is the main subject with a subtitle named as “effect of the semiotics to the design in the axis of the modern narrative”. modern narrative is an important process of cinema. The most important effect of that process is to create an illusion of social perception. This illusion starting with rejection Makalenin geliş tarihi: 19.03.2014 Makalenin kabul tarihi: 12.09.2014 of dramatic narrative ongoing with theater tradition, can be associated by being a fragile narrative form. like most issues disscussed with emphasis on process, modern narrative saves it holisticness with incorporation of main points. The evaluation of phenomenon in the case of aesthetics of objects in modern arts is one of the most important turning points of our subject. modern narrative is the domain that semiotics is most functionalized. In other words, modern art disciplines are subjected to a comprehensive explicate in the context of object aesthetic. As a result, sociological, psychological or philosophical arguments come out as sub-text. Besides the theoretical readings, our main issue that will be emphasized is the textual reading of the nature of design exhibiting holisticness that forms film language, as content of interdisciplinary stance of object aesthetics and modern arts.

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